Iris Lingyu Zhang                                        


No.-1


Installation Prototype,
Dried flowers, Hardwares, Discarded objects, Slime, Clay, Spray 50*50*50cm, 2023






No.-1 is an installation prototype within Polyhedron: Exploring the Fluid Interplay Between Self, Identity, and Environment, exploring the fluid and cyclical nature of identity through a dynamic sculptural form. This work represents the past, present, and future self of the artist, as well as the experiences of women shaped by the same cultural and educational dogma. It reflects on the process by which education empties individuals, transforming them into vessels that are then blindly absorbed into groups and new spaces.




In No.-1, the subject melts into the environment, becoming intertwined with and reshaped by it. This symbiotic relationship illustrates how identity is continuously molded by external forces, resulting in new versions of the self. The petals incorporated into the body symbolize the continual integration of elements from the environment, emphasizing the perpetual cycle of melting, remolding, and evolving, both in the present and into the future.

The installation invites the audience to observe the interaction between the subject and the environment, showcasing the dynamic process of identity formation and transformation. As the subject gradually melts and is reshaped by its surroundings, the work reveals the intricate ecology and interaction between individuals and groups. The self fades into the environment, becoming an integral part of it—some aspects of the self remain, others merge with the surroundings, and elements of the environment become part of the self. This constant exchange symbolizes a fragment of identity, waiting to be melted and reshaped again.





By emphasizing the fluidity of identity within the socio-cultural context, No.-1 presents a living and evolving prototype, challenging viewers to reflect on the ongoing process of self-reconstruction and adaptation within the constraints of culture and societal expectations.













Relevant works


Artworks ↗

 Kisen (2025)

 The Night I was on my Balcony (2025)

 Parasite (2025)

 Talking to him (2025)

 EMANON (2025)

 Reborn (2024)

 The Body in Blue (2024)

 Traces: ‘Free-assemblage making’ as a method to touch self-narrative (2024)

 The Tent (2024)

 Will U Remember me? (2024)

Won’t U Remember me? (2024)

 Comet Tail (2024)

 Null-Flux (2024)

 Sleeping in the wood (2024)

 Unknown Utopia (2023)

 A Punch on Tofu (2023)

 CSI;’‘’‘’‘’‘;’;/;;‘’/;‘;(2023)

 No.0-PI (2023)

 No.219 (2023)

 No.-1 (2023)

 No.9719 No.1202 No.2202 No.1520 (2023)

Profile (Sample)

Iris Lingyu Zhang (b. 1997, Beijing) is a multimedia artist and researcher working between London and Beijing. Her emotionally immersive works span digital and installation-based media, exploring feminist inquiries into the body, space, and desire. Drawing on psychology and philosophy, her practice negotiates identity, intimacy, and cultural memory through porous visual forms.

Iris holds a Master of Research from the Royal College of Art and pursuing her second Master’s degree in Fine Arts at Goldsmiths, University of London. She has exhibited internationally, with recent shows including international Biennale THE WRONG, Visions in the Nunnery 2025 at London Bow Art Gallery,  Permeate in Vienna, and Instante in São Paulo. Her work has also been presented at IKLECTIK, Hundred Years Gallery, and The Handbag Factory, among others.
         
Email, Instagram


Education

Master of Fine Art                         Sep 2026 -
Goldsmiths, University of London

Master of Research
Visual Communication
                 Sep 2023 - Sep 2024
Royal College of Art


Exhibitions ↗

A Room for Unbecoming Women
The Handbag Factory, 3 Loughborough Street SE11 5TB
30
.07.2026 - 03.08.2026

TABOO
Bradley House, 26 ST Albans LN, NW11 7QE                                 23.07.2026 - 13.08.2026

THE WRONG International Biennale Transient Info
Virtual Worldwide
01.11.2025 - 31.03.2026

Visions in the Nunnery 2025
Bow Road & Nunnery Gallery, 181-183 Bow Road E3 2SJ
04.10.2025 - 09.11.2025

The Green Grammar
art'otel London Hoxton, 1-3 Rivington Street, EC2A 3DT
27.06.2025 - 29.06.2025

Pieces of Me
Artworks East Gallery, 32-34 Osier Way, E10 5SB
06.06.2025 - 04.07.2025

Behind the Closed DoorsSafehouse, 137 Copeland Road SE15 3SN
31.05.2025 - 03.06.2025

PermeateWest/Alte WU, Augasse 2-6, 1090 Vienna, Austria
29.03.2025 - 03.04.2025

Secret Salon: Electric Ladyland
Caveside Cl, Old Hill, Chislehurst BR7 5NL
14.12.2024

Instante
Echos Studio, Rua Pelotas, 400 - Vila Mariana, Sao Paulo, Brazil
07.12.2024 - 20.12.2024

The Dark Side
Boomer Gallery, 150 Tooley Street, London SE1 2TU
08.11.2024 - 13.11.2024

MYSTICAL
Fox Yard Studio, 6 Old Fox Yard, Stowmarket IP14 1AB
25.10.2024 - 05.11.2024

Sound Field Folding
Hundred Years Gallery, 13 Pearson St, London E2 8JD
 03.08.2024

MRes RCA 2024 Research Journeys
The Hanger Gallery, London SW11 4NL
26.07.2024 - 01.08.2024

Fragment for the Future; Movement
The Hanger Gallery, London SW11 4NL
29.04.2024 - 01.05.2024

Whispers of the Unseen: Sonic Alchemy
Iklectik, 20 Carlisle Lane, London SE1 7LG
13.12.2023


Press ↗

Ourculture Art&Photography: “In the syntax of pauses: Sensing the green grammar”     2025

FAD Magazine: “Behind the closed doors: Reconstructin the narrative of home in a crumbling house”
2025

Divide Magazine issue 12   2024

Collect Art Magazine winter issue seasonal edition                   2024

 Reflections of the Past, Visions of Tomorrow
2024

Artistcloseup Magazine issue 25                                                         2024

Artistcloseup Blog individual interview                                           2024