Iris Lingyu Zhang                                        


Talking to him


Multimedia installation sculpture,moving image(35’’loop),AI technology,Found objects,Materiality, 2025




This is a multimedia installation combining sculpture, video, and AI technology, constructing a scene of desperate and false communication. Two rusted television sets and worn furniture form symmetrical sculptural groupings, with screens displaying a fictional family dialogue scene—ironically, all of this is reassembled from fragments: a broken sofa, a mottled coffee table, malfunctioning televisions, and AI-generated gazes that never actually occurred, created from old photographs.






The old television, as a relic of the analog era, once served as a carrier of authentic family memories, now transformed into a display window for digital fiction. AI technology constructs gazes that never existed by analyzing old photographs, creating a form of "hyperreality": far more perfect than reality, yet utterly false. This media displacement reveals a paradox—the more we rely on technology to correct the past, the further we drift from the authenticity of memory itself, becoming thoroughly pitiful.




As found objects, these items carry the weight of material memory. The old leather armchair recreates the power hierarchy of childhood family dynamics, with surface wear marks telling the story of an imagined family's history and damage; the coffee table exists in dependence on the sofa, yet reveals the possibility of independent existence in certain moments. The work reveals this subtle codependent relationship through the spatial arrangement of objects—the hierarchies and power structures between them are habitually defined, understood, and utilized by people.





I chose to include no sound art whatsoever in this work. In this silent space, silence becomes a present continuous tense. This renders the work's title even more ironic.

This piece points to a heartbreaking truth: everything is an illusion within power relations. Equality, symbiosis, independence, communication—whatever form it takes, it is nothing more than fabricated narrative, a utopian fantasy feast. The dialogue between my father and me has never truly existed, and never will.





Relevant Works


Artworks ↗

 Kisen (2025)

 The Night I was on my Balcony (2025)

 Parasite (2025)

 Talking to him (2025)

 EMANON (2025)

 Reborn (2024)

 The Body in Blue (2024)

 Traces: ‘Free-assemblage making’ as a method to touch self-narrative (2024)

 The Tent (2024)

 Will U Remember me? (2024)

Won’t U Remember me? (2024)

 Comet Tail (2024)

 Null-Flux (2024)

 Sleeping in the wood (2024)

 Unknown Utopia (2023)

 A Punch on Tofu (2023)

 CSI;’‘’‘’‘’‘;’;/;;‘’/;‘;(2023)

 No.0-PI (2023)

 No.219 (2023)

 No.-1 (2023)

 No.9719 No.1202 No.2202 No.1520 (2023)

Profile (Sample)

Iris Lingyu Zhang (b. 1997, Beijing) is a multimedia artist and researcher working between London and Beijing. Her emotionally immersive works span digital and installation-based media, exploring feminist inquiries into the body, space, and desire. Drawing on psychology and philosophy, her practice negotiates identity, intimacy, and cultural memory through porous visual forms.

Iris holds a Master of Research from the Royal College of Art and pursuing her second Master’s degree in Fine Arts at Goldsmiths, University of London. She has exhibited internationally, with recent shows including international Biennale THE WRONG, Visions in the Nunnery 2025 at London Bow Art Gallery,  Permeate in Vienna, and Instante in São Paulo. Her work has also been presented at IKLECTIK, Hundred Years Gallery, and The Handbag Factory, among others.
         
Email, Instagram


Education

Master of Fine Art                         Sep 2026 -
Goldsmiths, University of London

Master of Research
Visual Communication
                 Sep 2023 - Sep 2024
Royal College of Art


Exhibitions ↗

A Room for Unbecoming Women
The Handbag Factory, 3 Loughborough Street SE11 5TB
30
.07.2026 - 03.08.2026

TABOO
Bradley House, 26 ST Albans LN, NW11 7QE                                 23.07.2026 - 13.08.2026

THE WRONG International Biennale Transient Info
Virtual Worldwide
01.11.2025 - 31.03.2026

Visions in the Nunnery 2025
Bow Road & Nunnery Gallery, 181-183 Bow Road E3 2SJ
04.10.2025 - 09.11.2025

The Green Grammar
art'otel London Hoxton, 1-3 Rivington Street, EC2A 3DT
27.06.2025 - 29.06.2025

Pieces of Me
Artworks East Gallery, 32-34 Osier Way, E10 5SB
06.06.2025 - 04.07.2025

Behind the Closed DoorsSafehouse, 137 Copeland Road SE15 3SN
31.05.2025 - 03.06.2025

PermeateWest/Alte WU, Augasse 2-6, 1090 Vienna, Austria
29.03.2025 - 03.04.2025

Secret Salon: Electric Ladyland
Caveside Cl, Old Hill, Chislehurst BR7 5NL
14.12.2024

Instante
Echos Studio, Rua Pelotas, 400 - Vila Mariana, Sao Paulo, Brazil
07.12.2024 - 20.12.2024

The Dark Side
Boomer Gallery, 150 Tooley Street, London SE1 2TU
08.11.2024 - 13.11.2024

MYSTICAL
Fox Yard Studio, 6 Old Fox Yard, Stowmarket IP14 1AB
25.10.2024 - 05.11.2024

Sound Field Folding
Hundred Years Gallery, 13 Pearson St, London E2 8JD
 03.08.2024

MRes RCA 2024 Research Journeys
The Hanger Gallery, London SW11 4NL
26.07.2024 - 01.08.2024

Fragment for the Future; Movement
The Hanger Gallery, London SW11 4NL
29.04.2024 - 01.05.2024

Whispers of the Unseen: Sonic Alchemy
Iklectik, 20 Carlisle Lane, London SE1 7LG
13.12.2023


Press ↗

Ourculture Art&Photography: “In the syntax of pauses: Sensing the green grammar”     2025

FAD Magazine: “Behind the closed doors: Reconstructin the narrative of home in a crumbling house”
2025

Divide Magazine issue 12   2024

Collect Art Magazine winter issue seasonal edition                   2024

 Reflections of the Past, Visions of Tomorrow
2024

Artistcloseup Magazine issue 25                                                         2024

Artistcloseup Blog individual interview                                           2024