Iris Lingyu Zhang

Iris Lingyu Zhang (b. 1997, Beijing) is a multimedia artist and researcher working between London and Beijing. Her emotionally immersive works span digital and installation-based media, exploring feminist inquiries into the body, space, and desire. Drawing on psychology and philosophy, her practice negotiates identity, intimacy, and cultural memory through porous visual forms.

Iris holds an MRes from the Royal College of Art and a BA in Advertising from the Beijing Institute of Fashion Technology. She has exhibited internationally, with recent shows including The Green Grammar at art’otel London Hoxton, Pieces of Me at ARTWORKS East Gallery, Permeate in Vienna, and Instante in São Paulo. Her work has also been presented at IKLECTIK, Hundred Years Gallery, and Boomer Gallery, among others.

My practice navigates the porous intersections of materiality, divinity, and feminist thought. Through autoethnographic methods and free-assemblage making, I examine how female subjectivity is constructed, fractured, and ritualised. Working across digital media, installation, and performance, I explore the tension between visibility and disappearance, intimacy and distance, body and environment. My work unfolds through fragmented narratives, inviting a nonlinear reading of memory, desire, and displacement. It is both a gesture of resistance and a space of becoming.

into the domain into the domain into the domain into the domain into the domain into the domain into the domain into the domain

into the domain into the domain into the domain into the domain into the domain into the domain into the domain into the domain into the domain into the domain

Polyhedron: Exploring the Fluid Interplay Between Self, Identity, and Environment Polyhedron: Exploring the Fluid Interplay Between Self, Identity, and Environment

olyhedron: Exploring the Fluid Interplay Between Self, Identity, and Environment Polyhedron: Exploring the Fluid Interplay Between Self, Identity, and Environment A

Traces: ‘Free-assemblage making’ as a method to touch self-narrative Traces: ‘Free-assemblage making’ as a method to touch self-narrative

CSI；’‘’‘’‘’‘；’；/；；‘’/；‘； Comet Tail No.0-PI De-sanctified Symphony Unknown Utopia Null-flux A PUNCH on TOFU

No.219 ; No.9719 No.1202 No.2202 No.1520; No.-1; Polyhedron: Exploring the Fluid Interplay Between Self, Identity, and Environment

Will U Remember me??; Won’t U Remember me??; THE TENT; SLEEPING IN THE WOOD;

Lots of TouchDesigner Works Traces: ‘Free-assemblage making’ as a method to touch self-narrative